All Asher Brown Durand Oil Paintings

1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.
 

       Prev  2  3  4  5  6  7  8  9  10  11   Next
  Prev Artist       Next Artist     

   
    

Asher Brown Durand The Colonmade in Elysian Fields oil on canvas


The Colonmade in Elysian Fields
The Colonmade in Elysian Fields
Painting ID::  51331
  mk218 Caxton Press 1895
  mk218 Caxton Press 1895

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Delaration of Independence oil on canvas


Delaration of Independence
Delaration of Independence
Painting ID::  51334
  mk218 1823 Line engraving,sixth sate 64x95.5cm
  mk218 1823 Line engraving,sixth sate 64x95.5cm

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Rachel Post Durand oil on canvas


Rachel Post Durand
Rachel Post Durand
Painting ID::  51336
  mk218 c.1822 Oil on wood panel
  mk218 c.1822 Oil on wood panel

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Cyrus Durand oil on canvas


Cyrus Durand
Cyrus Durand
Painting ID::  51337
  mk218 c.1825 Oil on canvas 76.2x63.5cm
  mk218 c.1825 Oil on canvas 76.2x63.5cm

Height    Width


  INS/CM       Quality

X

  

Asher Brown Durand Musidora oil on canvas


Musidora
Musidora
Painting ID::  51338
  mk218 1825 37.1x27cm
  mk218 1825 37.1x27cm

Height    Width


  INS/CM       Quality

X

  

       Prev  2  3  4  5  6  7  8  9  10  11   Next
Prev Artist       Next Artist     

     Asher Brown Durand
     1796-1886 Asher Brown Durand Galleries His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School. Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth." Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..." Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time.

ARTISTABCDEFGHIJKLMNOPQRSTUVWXYZ
A
rt Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ


CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings